TEACHING
International Teaching Experience
With over a decade of experience teaching at prestigious institutions around the world, Cimarelli’s educational approach emphasizes rigorous technical training alongside a commitment to fostering creative inquiry. His goal is to cultivate not only technical proficiency in sculpture but also to inspire critical thinking and innovation among students as they explore sculptural expression within historical, cultural, and personal contexts.
Conference Presentations
RISO - Museum of Contemporary Art, Palermo, Italy (2024)
Lecture on A Journey Through Contemporary Art
AMDC - Italian American Museum, Washington DC, USA (2023)
Dionisio Cimarelli’s Artistic Journey and Research
Fostering U.S.-Italy school partnerships, organized by the Italian Embassy
High Street Italia, Seoul, South Korea (2023)
Lecture on A Life for Art, organized by the Italian Cultural Institute of Seoul
Galleria, Seoul, South Korea (2023)
Lecture on A Life for Art
Federal Hall National Memorial, Wall Street, New York City, USA (2019)
Address on Contemporary Art and Sculpture Practices
Columbia University, New York City, USA (2019)
Round table discussion on Contemporary Sculpture
organized by CAFA - Central Academy of Fine Arts of Beijing
Harvard Club, New York City, USA (2019)
Address on Contemporary Art
Accademia di Belle Arti, Macerata, Italy (2019)
Lecture on Una vita per l'Arte
Teatro Goldoni, Corinaldo (Ancona), Italy (2019)
Lecture on Una vita per l'Arte
Montclair State University, New Jersey, USA (2018)
Lecture on Dionisio Cimarelli's artistic experiences and research
University Club, New York City, USA (2017)
Lecture on Porcelain Sculpture at the Court of Savoy
New York Academy of Art, USA (2016)
Lecture on The Contemporary Sculpture with marble in Carrara
The Art Students League of New York, USA (2016)
Lecture on The Restoration of Classical European Sculpture
Italian Cultural Institute, San Francisco, USA (2014)
Lecture on Dionisio’s Sculptural Explorations
Diocesan Museum, Jesi, Italy (2013)
Lecture on Una Vita per l'Arte
Sir J.J. School of Art, Mumbai University, India (2010)
Lecture on Aesthetic and its Function
organized by the Italian Consulate of Mumbai
Beijing International Sculpture Forum, China (2010)
Dialogue on Contemporary Sculpture within a global context
Hangzhou West Lake, Hangzhou, China (2009)
Dialogue on Contemporary Global Sculpture
Shanghai Art Museum, Shanghai, China (2007)
Delivered a formal address and oversaw the signing of a contract
for the Sheshan Luxury Villas project
Silliman University, Dumaguete City, Philippines (2007)
Lecture on Cimarelli's Artistic Work and Research
Sheshan Auditorium, ZhongKai SheShan, Shanghai, China (2007)
Lecture on Aesthetic and its Function
Liceo Artistico "Cademia", Ortisei, Italy (2006)
Lecture on Dionisio Cimarelli: Le sue opere e la sua ricerca artistica
Mingyuan Art Centre, Shanghai, China (2005)
Lecture on Cimarelli's Artistic Work and Research
China Academy of Art, Hangzhou, China (2005)
Lecture on Cimarelli's Artistic Work and Research
Shanghai Library, Shanghai, China (2005)
Lecture on Cimarelli's Artistic Work and Research
Organized by the Italian Consulate in Shanghai
CAFA-Central Academy of Fine Arts, Beijing, China (2004)
Lecture on Cimarelli's Artistic Work and Research
Sanjiang Art University, Beijing, China (2004)
Lecture on Cimarelli's Artistic Work and Research
Beijing Renwen University, Beijing, China (2004)
Lecture on Cimarelli's Artistic Work and Research
House of Artists, Jeddah, Saudi Arabia (2003)
Lecture on Cimarelli's Artistic Work and Research
Ontario College of Art & Design, Toronto, Canada (2002)
Lecture on the Restoration of Major European Monuments
Academic Positions
New York Academy of Art (2016-2017)
Adjuct Sculpture Faculty
Courses taught: Marble and stone carving techniques and Mold-making The New York Academy of Art, founded in 1980 by artists including Andy Warhol, is an institution offering an MFA program with a focus on classical techniques combined with contemporary practices. Gallery featuring some student works from these years.
The Art Students League of New York (2015-2023)
Sculpture Instructor
Courses taught: Marble and stone carving techniques, wood carving techniques
A renowned art school in Manhattan, recognized for its role in shaping modern art and fostering creativity among both professional and amateur artists. Gallery featuring some student works from these years.
FIT- Fashion Institute of Technology, New York (2020)
Adjuct Sculpture Professor
Courses taught: Figurative Sculpture, Full Figure and Portrait with Plastelin FIT, known for its focus on fashion and technology, is a leading institution in art and design education.
Masterclasses and Workshops
Sicily International Art School in Marsala, Italy (2024)
Sculpture Masterclass on Sculpting the bust in clay
The Art Students League of New York (2015–2023)
For eight years, he conducted approximately 10 workshops annually. These workshops focused on portraiture and full-figure sculpture using live models, with an emphasis on clay modeling, anatomy, drapery, and traditional techniques from Italian and European masters. Additionally, he led specialized workshops on the use of the pointing machine for sculptural reproduction, offering both theoretical insights and practical demonstrations.
Guest Lectures
Bunditpatanasilpa Institute, Faculty of Fine Arts, Bangkok, Thailand (2023)
Conducted an in-depth conference and masterclass on advanced sculptural techniques, focusing on synthesizing contemporary and traditional practices. Organized by the Italian Embassy, this program attracted students from nine universities and art academies across Thailand, fostering a dynamic environment for academic and cultural exchange. Participants were encouraged to engage with innovative sculptural approaches that harmonize Italian classical methodologies with regional artistic traditions, promoting a cross-cultural dialogue in the field of modern sculpture.
King Saud University, Riyadh, Saudi Arabia (2004)
Led a series of lectures and intensive workshops on Italian 20th-century sculpture and advanced stone carving techniques, with a particular focus on my research into cross-cultural influences within modern sculpture. This program engaged both established Saudi artists and emerging talents, culminating in an exhibition that highlighted participants’ progress in technical precision and conceptual depth under my guidance. The event underscored the enduring relevance of Italian sculptural methodologies within a contemporary, globalized artistic discourse.
Wimbledon College of Art, London, UK (2002)
Led a masterclass in sculpture using a live model, focusing on anatomical precision and expressive form. This intensive program explored both traditional sculptural techniques and contemporary approaches to figurative sculpture, offering participants an in-depth, hands-on experience in working with the human figure.
Teaching Philosophy
As an educator, my aim is to cultivate critical and creative thinking in students, equipping them with the intellectual and technical tools necessary to make meaningful contributions to the contemporary art discourse. Sculpture, as a medium, serves not only as an artistic practice but as an intellectual exercise that engages with both historical context and personal narrative.
I embrace a pedagogical approach that merges rigorous technical instruction with conceptual exploration. Rooted in the principles of experiential learning, my teaching emphasizes the importance of critical dialogue and reflective practice. I create an environment where students are encouraged to question conventional boundaries and contextualize their work within broader social and cultural frameworks.
My teaching practice integrates innovative methods and interdisciplinary strategies to help students engage with the global art world. I challenge them to develop their own artistic voices, ensuring they can critically assess their work while remaining open to new ideas and approaches. By combining theoretical inquiry with hands-on experience, I prepare students to navigate the complex dynamics of contemporary art, both as creators and as thinkers.
My ultimate goal is to shape artists who not only master their craft but who can actively contribute to the cultural landscape, blending aesthetic innovation with intellectual rigor.
